The new age of Masonic Expression and the continued excellence of David Naughton-Shires

When I first started expressing myself in Freemasonry the medium that I used was the one which all the great old Masters of Masonic scholarship used – the word, the printed word.  So I wrote many words, words of explaining, of informing, of changing, of reform – so many words.  Isn’t that what every Masonic author does – conveying his or her messages in many words?

Then along came Stephen Dafoe who, within Freemasonry, decided words are nice, they are the very bread and butter of every author, but they are not the totality of an integrated work of scholarship.  What an author’s work needs, proposed Dafoe, was proper illustration and artwork.  So Dafoe was meticulous about the covers to his books and the magazines he published.  He hired Steve McKim to produce some beautiful artwork for his covers and some for the inside pages.  Dafoe would always add many illustrations and pictures to his work and if you take a look at Nobly Born and The Compasses and the Cross you can see the development of this style to its utmost perfection. You can’t read a Dafoe work today with just words, or let’s say not very often anyway.

Then along came Greg Stewart.  He wasn’t writing books but he was still in the profession of Masonic scholarship.  Stewart is very good with words but he is also an excellent graphic designer and an originator of some of his own Masonic artwork. Stewart immediately saw the need in online Masonic websites for a marriage of the printed word and the visual.  Right from the start on his websites you could actually visualize what he was also writing, culminating in his remake of Freemason Information into a consortium of Masonic writers where with the expertise of Dean Kennedy he crafted a website using word, pictures & artwork and video.

Words without pictures leaves little to the imagination and often allows no room for personalization of the message.  The author is leading the reader in a direction he wants to take him/her only utilizing the printed word. The journey is well structured but if the reader becomes claustrophobic or fails to connect with the intent of the author the two will part company.

Pictures without words allows the observer’s imagination to wander off in a hundred different directions at once.  There is not enough structure for the artist to be sure that the receiver understands the message that he wishes to convey.

When words and pictures are used together the mind can be brought back into a narrower focus on what the author is trying to convey, yet there is room for the reader to personalize the message and through the powers of imagination carry it into his or her own life experiences.

Which leads us to symbols.  Symbols are a representation of a concept.  They are drawings with a definite purpose in mind. Whether it is the Cross, the Golden Arches or the Square and Compasses, they are a picture with unspoken words attached.  That is why they are so powerful; they can do double duty simultaneously. And that is why multi talented creators like Dafoe & Stewart who can turn a good word while at the same time provide great visual effects that enhance their work are so successful at what they do.  Now put them in a setting where the use of symbols runs strong and you provide them with the ultimate opportunity to unleash their creativity.  Add to that the fact that both men are excellent speakers and have produced Masonic radio shows to compliment the rest of their work and you have two artists who have the ability to present their work using many different avenues of perception.

Nobody knows this better than David Naughton-Shires.  He may be the newcomer to the scene but he is following in the footsteps of Dafoe and Stewart. He understands, as they do, how important the use of all the human senses is in the creation of the work of an artist. He realizes that in order to get one’s work recognized, a creator has to appeal to the observer in many different ways. It is my humble opinion that Naughton-Shires is no newcomer to the knowledge of these facts nor is he new to the ability to produce such integrated work but that it has been his involvement with Freemasonry that is new to him and that has unleashed his creativity and ability into actual great creations and enabled his work to be noticed.  And that is because, in my opinion, the power of the symbolism of Freemasonry is so great, so strong and so conducive to the creative artist being able to express himself that it just opens an artist’s creative juices to full flow.  Freemasonry is the best platform from which to create great works because of its great symbolism, its long history spanning centuries, and its message of passion for nobleness, righteousness and equality.  There are very few other settings that are as conducive to opening up the greatness of an artist.

Nauthton-Shires is carrying the New Age Of Masonic Expression into its next phase.  He has a little twist on the applications of Dafoe and Stewart.  Rather than producing words with enhancing visual effects, he is producing the visual, artwork, enhanced by words. This removes Masonic scholarship even further away from the bookshelves.  Soon applications such as Power Point presentations which can be shown almost like movies will be a Masonic creative specialty and I have no doubt that a man like Naughton-Shires will be leading the pack in taking Masonic expression into deeper and unexplored waters.

That being said Naughton-Shires is proving he is no flash in the pan, no fluke, no 90-day wonder. Rather what I see is continued growth and depth of presentation in his work as demonstrated by his latest Issue 3 of The Masonic Art Exchange Newsletter.  He has adopted a Knights Templar theme for the next four or five issues and this Newsletter is sort of an introduction to Templar art. Naughton-Shires asserts:

“Most of the ‘standard’ Templar art is seen in almost every book, magazine and article on the warriors who wore the red cross, and I will attempt to include this in my article but I hope to show art by lesser known modern day artists in the issues that will cover this subject.”

The cover page of this issue is a compelling picture of a Knight Templar called “Fear” and painted by the brilliant Argentinean artist Ignacio Bazan.

And Naughton-Shires outstanding feature article in issue #3 is titled, “The Art of The Knight Templars:  Artistic Representations of The Crusader Knights of God.” In it he features the story and work of Benedictine Monk Mathew Paris and a plethora of early Templar art.  Later issues will feature more modern Templar paintings and drawings.

The Knights Templar have been as Naughton-Shires says, “an enigma for many years.” Yet they hold an amazing attraction for modern day society that just can’t seem to get enough of the “lore of the Knights.” Like many of us Naughton-Shires has the “Templar bug” and I asked him what first intrigued him about this society?

“I have had a keen interest in the Templar since watching the movie Ivanhoe many many years ago in which they are depicted as the ‘bad guys’; of course after research I discovered that as with any group there were bad guys indeed but also many good guys.”

There is one picture in the article that really caught my eye.  It looks like a tapestry and features green and orange colors.  I couldn’t quite make out what was going on in what looked like a story of some kind in pictures.

Naughton-Shires explains what he knows about this work of art:

“The image is of a twelve century map of Jerusalem which depicts a crusader knight in a white mantle assisting the other knights. It is believed to actually be a depiction of St George but this is based on the Latin inscription behind his head that reads Scs Georgius”

There is also an Apron article in this issue and some other tidbits not available for viewing at the time this article was written.  But then again, I wouldn’t want to tell you all the good things in Issue #3 of The Masonic Art Exchange’s Newsletter.  Better you should go find out for yourself.

And as you do that note where Masonic scholarship seems to be going. We are entering a new age of Masonic Expression, one where the visual arts vault into first place ahead of the word.  And leading the charge is Naughton-Shires carrying the torch from Dafoe and Stewart who are shoo-ins for the 21^st Century Masonic Hall of Fame. Sometimes the pupil surpasses the Master but that remains to be seen.

Naughton-Shires is still climbing the wall of stardom. It might behoove us all to grab onto his cable tow and let him pull us into greater heights of Light and once in awhile in the rough places, the precipices that do not hold, for some of us to pull him up and out.  The journey together, the journey shared is very rewarding. Naughton-Shires is beckoning for you to come along for the ride.  My advice is do it and don’t look back.

Have you reserved your copy?

Have you reserved your copy of the literary version of “National Treasure” yet? The Lost Symbol“Dan Brown’s next installment of the Da Vinci Code solving, Illuminati chasing symboligist Robert Langdon is due on shelves in about 2 weeks.

I think Freemasonry is already past hype having waited a couple of years for the Da Vinci Code follow up, but it doesn’t change the fact that the new book “The Lost Symbol” will have some net effect on the fraternity.

Why will the book have an impact?  Rumor has it that this new adventure has a story line that includes Freemasonry (and possibly Washington, the geometry of Washington D.C., and the Scottish Rite).

The end result for fraternity: a reawakened curiosity about the Freemasonry thanks to this high literary drama.

Maybe.

I pre-ordered my copy of “The Lost Symbol” yesterday so that I get it on the day it comes out.  I wonder if will live up to the hype that the last 5 years have built into it.

Dan Brown’s “The Lost Symbol” is available for pre-order on on Amazon now.

Social Media & the Non-Profit – How Social Media is vital to fraternities

A few weeks back we explored the ideas of Social Media as it intersected with Secret Societies, creating the shift from restricted knowledge to an open communication in the 21st century -ciphers replaced with pixels and WYSIWYG editors.  Today, Social Media has surpassed the expectations of those who declared it a passing trend and it has become a vital component of any individual or business that wants to build their brand and broadcast their message to an ever increasing audience.

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This is more than Mafia Wars, Bejeweled, or What famous actor are you test.  This is the creation and delivery of a messages and content that readers will grow to trust, will grow to rely upon, and will look to for opinion.

In other words, Social Media is not going away and that both For Profits and Non Profits need to understand the important role it plays in communicating their unique brand message.  Why is participating in Social media important?  By participating, organizations are able to project their own message and content and have conversations with other people about it.

Joining us this week on Masonic Central are two guests who are experts in the field of Social Media and Marketing Communication:

Br. Giles Crouch who has nearly 20 years of marketing communications experience, is co-founded of MediaBadger, a Social Media & Web PR firm. He is an active Mason for 10 years, and is presently Worshipful Master of Ad Astra Lodge in Halifax, Nova Scotia.

Br. Glen Gilmore, better known in social media circles as “Trend Tracker.”.  Glen is a social media consultant who is currently listed in the “Top 100 Twitter Elite” as established by TwitterGrader.  He is one of the most followed people on Twitter focusing on the subject of social media.  He serves as the Social Media Director for the New Jersey Hall of Fame.  Glen has been a Mason for over 20 years and is also a member of the Scottish Rite.

Brothers Giles and Glen will compare notes with Dean and Greg on the growing role of Social Media’s message and brand building power and why it is a vital component to every non-profits strategy to connect with the world.

Join us for this special hour and a half long program on Masonic Central this Sunday, August 30th starting at 6pm PDT/9pm EST. For your questions and comments to the guest live on the air call: (347) 677-0936 during the program.

Also you can listen to the program live from our home at Masonic Central on Blog Talk Radio and join in with our live program chat, or from our player widget on our website at Freemason Information.

Organizations lose their relevance when the rate of internal change lags the pace of external change.

Business Writer Gary Hamel of the Wall Street Journal is a bit of an outsider when it comes to religion. His background is much more wall street than the pulpit.  I have no doubt that in his life he has had some experience in regards to faith, but, based on his writing credentials, Hamel is a very serious expert on business.

So what was surprising to me was to read an article that he penned in the Wall Street Journal about a conference that he attended and spoke at for Willow Creek Community Church.  The article appeared in the Wall Street Journal’s blogs section and was filed under the title “Organized Religion’s ‘Management Problem’”.  And, in a nut shell, it analyzed the growing decrease in church attendance and the lack of shake up taking place in the churches at the front of providing the service to the attendees.  Essentially, he addressed the lack of response by churches to the change in attendance comparing it to the business sector, where a business to act in the same manner when faced with the same problem. The analogy was simple, quoting from Hamel:

Organizations lose their relevance when the rate of internal change lags the pace of external change. And that’s the problem that besets many churches today. And guess what?  A lot of secular institutions are in the same boat (Freemasonry). Think about General Motors, Sony, Motorola, United Airlines, AOL, Yahoo, Sears, Starbucks—how have these companies been doing in recent years? Not too well. And not just because of the recession, but because they got stuck in the mud; they fell in love with status quo. Their employees were prisoners of precedent, locked in jails run by the custodians of convention. …Your problem isn’t unique, and it isn’t materialism, atheism, skepticism or relativism—it’s institutional inertia. And if it makes you feel better, it’s not entirely your fault. Like leaders everywhere, you’ve been mugged by change.

The rant that Hamel goes into (his words, not mine) is a good lesson to learn from, and recitation of an old rally cry, that change is necessary, t least in some respect, and that from it, new growth can come. Quoting again from Hamel:

Historically, business leaders and church leaders didn’t have to worry about fundamental paradigm shifts. They could safely assume that their basic business models would last forever. In the case of church, this meant loyal pew-warmers who would show up every week, sit passively through the same unvarying church service, drop $20 into the plate as it passed, and politely shake the pastor’s hand as they headed off for lunch. But business models aren’t eternal—and their mortality rate has been rising. In industry after industry we’ve witnessed profound paradigm shifts . . .

There is a lesson to be learned here.  Does the same business model from 60 years ago apply today? Hamel continued:

The Second Law of Thermodynamics applies to organizations as well physical systems. Over time, visions become strategies, strategies get codified into policies, policies spawn practices, and practices become habits. That’s organizational entropy—and it’s why success is usually a self-correcting phenomenon. And it’s also why the hard thing—the really hard thing, isn’t inventing a brilliant strategy, but reinventing it! Given all of this, the most critical advantage a church (or any other organization) can build is an “evolutionary advantage”—an ability to constantly morph and adapt.

And, drawing from Hamel again:

Moreover, it’s usually necessary to decapitate the old leadership team before an organization can embark on a new course. In other words, fundamental change in large organizations happens the same way it happens in poorly governed dictatorships—belatedly, infrequently and convulsively. And that’s pathetic. It shouldn’t take the organizational equivalent of a deathbed experience to spur renewal. We need to change the way we change. Over the centuries, religion has become institutionalized, and in the process encrusted with elaborate hierarchies, top-heavy bureaucracies, highly specialized roles and reflexive routines. (Kinda like your company, but only more so). Religion won’t regain its relevance until church leaders chip off these calcified layers, rediscover their sense of mission, and set themselves free to reinvent “church” for a new age.

Really, there are some very sound bits in here, that Freemasonry can learn from, or that it can learn from before its to late. I highly recommend you read the article by Gary Hamel, and if you find it worthy, forward it along to your Grand Lodge leadership.  There is still time to adjust the rate of internal change before it lags to far behind the pace of external change and we get lost in obscurity.

The Evolution of God

Before reading this article, I would like to make one more plea asking you to fill out my York Rite Survey. The results of this survey will be used to help me develop a program to help the York Rite in my jurisdiction and hopefully the benefits will extend beyond my state. Anyone can fill it out, it is crucial that I get more responses from non-York Rite Masons. Please provide me with some brotherly relief and take two minutes to fill out this survey. Thank you.

I was having my coffee and enjoying my Sunday morning while watching a recent rerun of an episode of The Colbert Report when the show suddenly caught my attention. Colbert’s guest was Robert Wright who has written a book entitled The Evolution of God. This is a topic that I have long been fascinated with because as I have studied the Bible over the years, I have noticed how the depiction of God evolves throughout the history of the Hebrews and eventually gets a huge makeover when Jesus begins to teach.

The God that Abraham served was extremely personal and was even willing to appear to Abraham as a human, almost like a personal angel. The God of Moses was wrathful. The God of David was often a warrior. Then as the Bible transfers to the New Testament, God becomes a universal being who exists for all of creation. This evolution is not unique to the religions which look to the books of the Bible for enlightenment, mankind is continually making God into a more loving and universal creature. Polytheism and idolatry are types of worship which continually keep disappearing and our society is now starting to make the leap from Deism to agnosticism and eventually atheism. While I have not yet read Robert Wright’s book, he explains that he came to a similar conclusion in his interview with Colbert.

This is a topic that is very relevant to Freemasonry. As Freemasons, we have carried the banner of universality in spirituality for nearly three centuries. There are very few places in the world where men of all creeds can sit in harmony and recognize each other as equals and not judge a man based on his own religious choices. Oh sure, there are plenty of examples of Freemasons that don’t understand this and erroneously regard Freemasonry as a Christian organization, but the knowledgeable Mason understands the fallacy of this idea. It is crucial that Freemasons understand the critical role of the organization in creating peaceful relations among men of all beliefs.

In this age of combative 24-hour news and increased divisiveness in issues such as religion and politics, it is crucial for Freemasons to remain the peacemakers. This is an idea that Albert Pike expounds upon in the 6th degree of the Scottish Rite and the American York Rite gives an example of peaceful religious relations in the Order of the Red Cross, when Darius offers his protection to the Jews so that they can rebuild the temple of their God. Of course, these ideas are well covered by the symbol of the Master Mason’s trowel. As society evolves and the perception of God evolves with it, Freemasons should be happy to be at the forefront of the fight for religious understanding and equality.

Today’s men can use a place to go to escape from religious and political bickering and enjoy fellowship with men of all walks of life which are bound to aid, support, and protect each other. I plan on buying a copy of the book The Evolution of God and gaining some insight into mankind’s perception of Deity. After all, couldn’t understanding someone else’s perspective do us all some good?

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